Each shade below shares the same fluted surface, sized and shaped differently to suit where it hangs. More textures are being added to the range as they're finished.
A tiered, low silhouette built for dining tables and café settings — close enough to the table to feel intimate, wide enough to light the whole surface.
Tall neck, rounded body — the statement piece. Hung alone, it anchors an entryway or stairwell the way a single sculptural object should.
Clean, repeatable lines that were built to be grouped — three or five hung together over a bar or long table read as one composition, not separate lights.
Soft and round, with nowhere for light to hide — the quietest piece in the range, suited to bedrooms and reading corners where glare isn't welcome.
A flared base gives this one the most surface to work with — the piece we'd reach for first once the woven Japandi texture is ready.
Every form here can be resized or reworked for a specific space — that's the point of printing rather than moulding.
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